Film Reviews
Robert Eggers :: The Lighthouse
Maritime horror, labour, hierarchy and the forbidden machinery of light
The films gathered here give landscape a working role: fields, islands, villages and interiors carry memory, ritual, labour and unease. Hwael follows cinema through sound, place and historical residue, from Malick and Tarkovsky to Shindō, Weir and Gladwell. Often the strangest thing is already there, embedded in the ordinary world.
Film Reviews
Maritime horror, labour, hierarchy and the forbidden machinery of light
Film Reviews
Folk horror, reeds, hunger, bodily erosion and postwar memory
Film Reviews
Soviet cinema, memory, family, landscape and a house rebuilt from childhood
Film Reviews
Czech New Wave, folk horror, surrealism and political repression
Film Reviews
Folk horror, nuclear memory, translation and childhood mythmaking
Film Reviews
Folk horror, pagan ritual, landscape and collective belief
Film Reviews
Art cinema, Aboriginal sound, colonial vision and landscape as score
Film Reviews
Folk horror, colonial order, liminal time and landscape as threshold
Film Reviews
Magic-hour cinema, migrant labour, impermanence and light as presence