Album Reviews
LULUC :: Sweet Thief
Folk, fingerstyle guitar, quiet arrangements and contemporary unease
Latest
Album Reviews
Warrington Runcorn New Town Development Plan :: People & Industry (special edition)
Hauntological electronica, postwar modernism and unfinished futures
Essays
The Face that Keeps Growing Back
How a carved motif gained a pagan past, a 1939 name and unrelated cousins
Album Reviews
Katherine Priddy :: These Frightening Machines
Contemporary folk, full-band arrangements, literary songs and quiet tension
Essays
Where the Path Used to Go: Britain’s Lost Footpaths
What old maps keep of British footpaths, and the hours they cannot record
Album Reviews
TENGGER :: SKY
Ambient electronica, cosmic drone, family voices and sky-sea drift
Film Reviews
Jaromil Jireš :: Valerie and Her Week of Wonders
Czech New Wave, folk horror, surrealism and political repression
Album Reviews
Meitei / 冥丁 :: AGATE / 瑪瑙
Experimental electronica, Japanese memory, ritual loops and decaying voices
Essays
Pink Moon: The Meaning Nick Drake Left Behind
Studio austerity, family memory and a record remade by posterity
Album Reviews
D. Rothon :: Angel Pavements
Hauntological folk, pedal steel, working-class London and forgotten novels
Essays
What We Mean at Hwael When We Say Hauntology
Hauntology before Ghost Box, from a dead man’s hymn to a church being cleaned
Album Reviews
Victoria Mingot :: God Spill
Experimental folk, fingerstyle guitar, pedal loops and devotional unease