Second Hearing
Jackson C. Frank :: Jackson C. Frank
A 1965 folk album between its original sleeve and the stories told later.
Fingerstyle Guitar
Fingerstyle guitar on Hwael Mag: solo acoustic playing from pastoral folk to the American Primitive lineage.
Album Reviews
Ella Rae Cole :: Rocky Creek
Acoustic folk, fingerstyle guitar, Montana landscapes and family memory.
Interviews
Maisy Owen on Poetry, Distance and the Places That Stay
Maisy Owen on poetry, distance, Nashville, folk and the places that remain.
Album Reviews
yadayn :: Huis
Post-folk, fingerstyle guitar, chamber textures and shifting rooms
Essays
No Place to Be: The Hidden Geography of Nick Drake’s Pink Moon
Nick Drake's lyrics, landscape, mortality and the Pink Moon suicide myth
Essays
Raoul Vignal : The Places Were There All Along
Fingerstyle folk, Lyon, Berlin and the hidden geographies behind the quiet
Essays
The Drowned Villages of Britain
Reservoirs, municipal power, political geography and engineered forgetting
Essays
Pink Moon: The Meaning Nick Drake Left Behind
Studio austerity, family memory and a record remade by posterity
Album Reviews
Victoria Mingot :: God Spill
Experimental folk, fingerstyle guitar, pedal loops and devotional unease
Essays
The Sons of Pink Moon: Who Inherited Nick Drake's Hush
Fingerstyle folk, quiet voices, lost records and acoustic restraint
Second Hearing
Nick Drake :: Pink Moon
Fingerstyle folk, open tunings, close vocals and radical subtraction
Album Reviews
Gareth Dickson :: Orwell Court
Ambient folk, fingerstyle guitar, reverb and faded post-punk memory