Album Reviews
Sailing Stones :: Slow Magic
Where Perhacs found the uncanny in stillness, Lindfors finds it in rupture — Slow Magic is less a record about wonder than about the wonder wearing thin at three in the morning.
Album Reviews
Album reviews exploring ambient folk, hauntology, and pastoral drone — records examined not as products but as weather systems, turned over for the residue they leave behind.
Album Reviews
Yoal :: Gloaming
Born from a long-distance correspondence between Scotland's Euan Millar-McMeeken and Japan's Satomimagae, Gloaming turns distance into fertile ground — folk and ambient, piano and deteriorated tape, two sensibilities reshaping one another across a shared twilight.
Album Reviews
Andrew Wasylyk :: Irreparable Parables
Andrew Wasylyk opens his orchestrated art-folk to the human voice for the first time: six singers gathered remotely and drawn as six songbirds by Frances Castle. From Kathryn Joseph's dark to the Amber Room's cinematic ache, a record about what cannot be put back together.
Album Reviews
Linda Perhacs :: Parallelograms
Reissued into a lost classic, Parallelograms is usually sold as ahead-of-its-time psych-folk. The real key: Linda Perhacs has synaesthesia. She sees sound as moving shapes and colour, and her 1970 album is her attempt to notate it — a three-dimensional sound sculpture.
Album Reviews
Tomo Katsurada & Jonny Nash :: At the Emerald Pool
Tomo Katsurada and Jonny Nash trade guitar lines until the two players dissolve into one — a quiet dialogue built from a year of playing together.
Album Reviews
Ichiko Aoba :: 15th Anniversary Concert
Fifteen years of Ichiko Aoba's music, captured live at Tokyo Opera City in January 2026. A concert that refuses spectacle and creates proximity instead — voice and guitar turning an immense hall intimate, and a fifteen-year continuity made suddenly audible.
Album Reviews
Mary Lattimore & Julianna Barwick :: Magic Tragic
Fleeing the California fires, Barwick and Lattimore made Tragic Magic (2026) in nine days in Paris, on harps three centuries old — not an escape into enchantment but the beauty that keeps working after everything else has burned down.
Album Reviews
Gia Margaret :: Singing
For Gia Margaret, singing was never the obvious thing: between There's Always Glimmer and now there's a damaged vocal cord, two instrumental albums born out of silence, a whole grammar of ambient built because the voice was missing.
Album Reviews
Virginia Astley :: From Gardens Where we Feel Secure
Virginia Astley's From Gardens Where We Feel Secure (1983): not a summer idyll but the consciousness of peace — the moment the sheltered know they're sheltered, and lose it. Beneath the sweetness, a hidden ditch she won't fill in.
Album Reviews
Nick Drake :: Pink Moon
Nick Drake's Pink Moon (1972) is usually read as a depression record. But what lingers is the absence of drama — and a subtraction so total that its one exception, a single piano overdub, becomes its most famous moment. Voice and guitar, nothing else.
Album Reviews
Western Skies Motel :: Trails
Nearly a decade after Settlers, Western Skies Motel returns weathered and inward. The real subject of Trails is distance: a Dane's American West, imagined from the North and built in a Copenhagen studio — deserts remembered from films, a landscape loved but never lived in.
Album Reviews
Gareth Dickson :: Orwell Court
Gareth Dickson has been Vashti Bunyan's guitarist for a decade — but Orwell Court lands on 12k, a label of ambient and microsound. That address is the argument: the Drake–Bunyan lineage run through reverb and delay until it dissolves, closing on a whispered Joy Division cover.