Album Reviews
Yoal :: Gloaming
Ambient folk, chamber textures, spoken word and transnational distance
Hwael Mag
Essays
Opening the Drawer: Linda Perhacs and the Lineage of the Lost Tape
Psych folk, lost tapes, rediscovered women and the afterlife of quiet records
Album Reviews
Andrew Wasylyk :: Irreparable Parables
Orchestrated art-folk, chamber jazz, strings and irreparable histories
Film Reviews
Robin Hardy :: The Wicker Man
Folk horror, pagan ritual, landscape and collective belief
Film Reviews
Nicolas Roeg :: Walkabout
Art cinema, Aboriginal sound, colonial vision and landscape as score
Second Hearing
Linda Perhacs :: Parallelograms
Psych folk, synaesthesia, acoustic guitar and ecological listening
Album Reviews
Tomo Katsurada & Jonny Nash :: At the Emerald Pool
Ambient folk, pastoral, twin guitars, psychedelia and provisional dwelling
Essays
The Spectre in Broad Daylight — Italy's Other Hauntology
Italian library music, archive film and the daylight ghosts of modernity
Album Reviews
Ichiko Aoba :: 15th Anniversary Concert
Ambient folk, fingerstyle guitar, live acoustics and shared stillness
Album Reviews
Mary Lattimore & Julianna Barwick :: Magic Tragic
Post-classical ambient, historical harps, vocal loops and wildfire aftermath
Film Reviews
Peter Weir :: Picnic at Hanging Rock
Folk horror, colonial order, liminal time and landscape as threshold
Album Reviews
Gia Margaret :: Singing
Folk pop, processed voice, trumpet and the recovery of song