Essays
Where the Path Used to Go: Britain’s Lost Footpaths
Historic footpaths, lost uses, rights of way and the memory of movement
Folk
Folk on Hwael Mag: songs of voice and acoustic string, traditional and new — the root the pastoral, psych and ghost branches grow from.
Essays
Pink Moon: The Meaning Nick Drake Left Behind
Studio austerity, family memory and a record remade by posterity
Album Reviews
Victoria Mingot :: God Spill
Experimental folk, fingerstyle guitar, pedal loops and devotional unease
Album Reviews
Jackdaw :: Larry Conklin & Jochen Blum
Fingerstyle folk, twelve-string guitar, violin and pastoral restraint
Album Reviews
Maisy Owen :: Dark on a Sunny Day
Folk, fingerstyle guitar, Nashville unease and spectral Americana
Essays
The Sons of Pink Moon: Who Inherited Nick Drake's Hush
Fingerstyle folk, quiet voices, lost records and acoustic restraint
Album Reviews
Ann Annie :: El Prado
Pastoral folk, modern classical, field recordings and reclaimed identity
Album Reviews
Ruth Garbus :: Profound
Folk, electric piano, chamber pop and midlife clarity
Album Reviews
Sailing Stones :: Slow Magic
Psych folk, fingerstyle guitar, strings and matrescence
Essays
Opening the Drawer: Linda Perhacs and the Lineage of the Lost Tape
Psych folk, lost tapes, rediscovered women and the afterlife of quiet records
Album Reviews
Andrew Wasylyk :: Irreparable Parables
Orchestrated art-folk, chamber jazz, strings and irreparable histories
Second Hearing
Linda Perhacs :: Parallelograms
Psych folk, synaesthesia, acoustic guitar and ecological listening